Not sure if this thread belongs in the Art Institute forum, since it's pretty much fanfic. I thought it should at least be separate from the TF:TM 40th Anniversary thread because that's got enough going on in it. Mods, feel free to move this wherever you think it goes.
It is the year 2025. John Hasbro has put you in charge of creating an animated post-credits short for next year's 40th anniversary theatrical re-release of TF:TM. You have Cullen, Welker, a handful of other VAs, a CGI animation studio, access to the archives of TF shows and movies to pull clips from, and 12 minutes of screen time. What do you do with it?
My cheeky answer is a re-creation of the Ferris Bueller end credits, with a bedraggled Galvatron being picked up by a passing ship full of Junkions (who of course would be genre-aware enough to commit to the bit). Per the original, Galvy wouldn't speak, but Welker would voice Wreck-Gar as the driver, as he did in the character's toy commercial. "Hey Mr. Decepticon, what's going on? Did you get in a fight?" (Another VA can say "Energon goodie? It's been in my manifold, they're real warm and soft.") One of the Junkions is holding a folder with "SAVE OPTIMUS" written on it. After the ship flies away, cut to Optimus in a bathrobe, telling the audience to go home. End on the Paramount logo but with Mt. St. Hilary.
The original sequence takes 4 minutes, so I don't know what I would do with the other 8. But man, wouldn't that be great?
I also have a more serious answer, detailed below. I banged it out in one go, probably not going to edit it - just wanted to get it out of my head. I haven't seen the actual short, but from what I can tell from the TFWiki summary and the chatter in the movie re-release thread, it's kind of similar. Maybe an improvement, though? You be the judge:
Open on a black screen and the audio of Galvatron saying "First Prime, then Ultra Magnus, now you," but with a slight garbling on it, like it's being heard through water and/or a bad transmission. As his next line is spoken, the movie clip comes into focus in an effects-y way, like it's also being seen through a distortion. When Hot Rod grabs the Matrix and it lights up, the camera zooms into it, and for a moment all that's seen is rays of blue light. The camera continues moving and turning such that we can see that the rays are streaming in one direction, like speed-lines. The camera settles on a shot of Optimus' CGI head in profile, parallel to the direction of the beams, as he says, "Arise, Rodimus Prime." (No music - all we hear is dialogue and sound effects.)
The camera rotates again, showing that he's seeing a CGI-rendered version of Hot Rod turning into Rodimus and fighting Galvatron. When Rodimus drops the Matrix, the field of blue rays fades out. During the fade-out, cut to a frontal view of Optimus' face as the audio of the fight continues but grows quieter. Behind Optimus, indistinct figures step into view. They're arranged in a way that echoes the vision of the Primes from "Revenge of the Fallen", but the silhouettes are based on the models of the narrators from the FFoD history lesson. One of them comes close enough to put his hand on Optimus' shoulder.
"Well done, good and faithful Prime," he says. "The Autobots' darkest hour has been illuminated."
"That's it, then? I've served my purpose, and now I take my place in the lineage of Primes?"
"As we all have done. Had we not, you would not. And had you not, Rodimus would not be able to serve his own purpose now."
Optimus continues to look off-camera, listening to the slightly muffled, echo-y sound of Rodimus's final line about "a new age of peace and happiness."
"Did I do enough to prepare him? To prepare all of them? Surely the Decepticons will return. If only the war could be ended so easily, and nothing but peace and happiness were ahead."
"You doubt yourself? Don't you remember?"
"Remember?"
Effects-y cut to a rapid-fire montage of season 1 & 2 still frames, settling on one that looks like it could've been from the cartoon but actually isn't. It turns into CGI and begins to animate. A battle scene plays out involving Optimus, Hot Rod, and Megatron, among others. It shows Optimus making a pivotal mistake that nearly gives Megatron the win, but with Hot Rod's help, the Autobots scrape out a victory anyway.
Cut back to inside the Matrix. Optimus: "Why did you show me that? My mistake almost let Megatron destroy us all!"
"And yet they stand on a free Cybertron, victorious over the Decepticons and Unicron, celebrating."
"In spite of me!"
"Come now."
Optimus pauses. "If I had been better, the war would've been over eons ago."
"If perfection were possible, there would never have been a war at all. Do you think your purpose was to introduce perfection into the universe?"
Optimus is silent.
"If they'd had a perfect leader until this moment, making the best decision for them every time, where would they be without you now?"
Optimus looks back in the direction of where he'd been watching Rodimus. "Lost."
"And yet they stand in triumph. How did they do that?"
Beat. "Together." Beat. "Imperfectly."
The predecessor nods. "Who taught them to do that? And what better lesson could Rodimus carry forward?"
Optimus lifts his head up in silence, his blue optics sparkling. After a few beats, he says, "So that's it, then? Time to take my place?"
"You've always been in your place. That place is here now. It may yet be back there again. But of the future, even we do not know. What we know is this: The hour is bright, and the forces of evil have lost the day."
"And when the forces of evil come back..."
"Do you have faith in the Autobots? In your human friends?"
"How could I not?"
The predecessor smiles. "As we had faith in you. And as our faith proved justified."
Optimus turns fully toward the other Primes, his posture straightening. "Till all are one."
"Till all are one!" they cheer.
Effects-y pan away from the Primes through clouds and streaks of bright color. Fade to starfield. Pan ends on the surface of a cratered planetoid. Pan across a lava-filled crater, then to tracks on the ground leading out of it. Pan ends on a singed, battered Galvatron walking with a limp. A spaceship enters the frame, and a hatch opens. Wreck-Gar looks out from inside. "Oh Yeah" by Yello begins playing.
It is the year 2025. John Hasbro has put you in charge of creating an animated post-credits short for next year's 40th anniversary theatrical re-release of TF:TM. You have Cullen, Welker, a handful of other VAs, a CGI animation studio, access to the archives of TF shows and movies to pull clips from, and 12 minutes of screen time. What do you do with it?
My cheeky answer is a re-creation of the Ferris Bueller end credits, with a bedraggled Galvatron being picked up by a passing ship full of Junkions (who of course would be genre-aware enough to commit to the bit). Per the original, Galvy wouldn't speak, but Welker would voice Wreck-Gar as the driver, as he did in the character's toy commercial. "Hey Mr. Decepticon, what's going on? Did you get in a fight?" (Another VA can say "Energon goodie? It's been in my manifold, they're real warm and soft.") One of the Junkions is holding a folder with "SAVE OPTIMUS" written on it. After the ship flies away, cut to Optimus in a bathrobe, telling the audience to go home. End on the Paramount logo but with Mt. St. Hilary.
The original sequence takes 4 minutes, so I don't know what I would do with the other 8. But man, wouldn't that be great?
I also have a more serious answer, detailed below. I banged it out in one go, probably not going to edit it - just wanted to get it out of my head. I haven't seen the actual short, but from what I can tell from the TFWiki summary and the chatter in the movie re-release thread, it's kind of similar. Maybe an improvement, though? You be the judge:
Open on a black screen and the audio of Galvatron saying "First Prime, then Ultra Magnus, now you," but with a slight garbling on it, like it's being heard through water and/or a bad transmission. As his next line is spoken, the movie clip comes into focus in an effects-y way, like it's also being seen through a distortion. When Hot Rod grabs the Matrix and it lights up, the camera zooms into it, and for a moment all that's seen is rays of blue light. The camera continues moving and turning such that we can see that the rays are streaming in one direction, like speed-lines. The camera settles on a shot of Optimus' CGI head in profile, parallel to the direction of the beams, as he says, "Arise, Rodimus Prime." (No music - all we hear is dialogue and sound effects.)
The camera rotates again, showing that he's seeing a CGI-rendered version of Hot Rod turning into Rodimus and fighting Galvatron. When Rodimus drops the Matrix, the field of blue rays fades out. During the fade-out, cut to a frontal view of Optimus' face as the audio of the fight continues but grows quieter. Behind Optimus, indistinct figures step into view. They're arranged in a way that echoes the vision of the Primes from "Revenge of the Fallen", but the silhouettes are based on the models of the narrators from the FFoD history lesson. One of them comes close enough to put his hand on Optimus' shoulder.
"Well done, good and faithful Prime," he says. "The Autobots' darkest hour has been illuminated."
"That's it, then? I've served my purpose, and now I take my place in the lineage of Primes?"
"As we all have done. Had we not, you would not. And had you not, Rodimus would not be able to serve his own purpose now."
Optimus continues to look off-camera, listening to the slightly muffled, echo-y sound of Rodimus's final line about "a new age of peace and happiness."
"Did I do enough to prepare him? To prepare all of them? Surely the Decepticons will return. If only the war could be ended so easily, and nothing but peace and happiness were ahead."
"You doubt yourself? Don't you remember?"
"Remember?"
Effects-y cut to a rapid-fire montage of season 1 & 2 still frames, settling on one that looks like it could've been from the cartoon but actually isn't. It turns into CGI and begins to animate. A battle scene plays out involving Optimus, Hot Rod, and Megatron, among others. It shows Optimus making a pivotal mistake that nearly gives Megatron the win, but with Hot Rod's help, the Autobots scrape out a victory anyway.
Cut back to inside the Matrix. Optimus: "Why did you show me that? My mistake almost let Megatron destroy us all!"
"And yet they stand on a free Cybertron, victorious over the Decepticons and Unicron, celebrating."
"In spite of me!"
"Come now."
Optimus pauses. "If I had been better, the war would've been over eons ago."
"If perfection were possible, there would never have been a war at all. Do you think your purpose was to introduce perfection into the universe?"
Optimus is silent.
"If they'd had a perfect leader until this moment, making the best decision for them every time, where would they be without you now?"
Optimus looks back in the direction of where he'd been watching Rodimus. "Lost."
"And yet they stand in triumph. How did they do that?"
Beat. "Together." Beat. "Imperfectly."
The predecessor nods. "Who taught them to do that? And what better lesson could Rodimus carry forward?"
Optimus lifts his head up in silence, his blue optics sparkling. After a few beats, he says, "So that's it, then? Time to take my place?"
"You've always been in your place. That place is here now. It may yet be back there again. But of the future, even we do not know. What we know is this: The hour is bright, and the forces of evil have lost the day."
"And when the forces of evil come back..."
"Do you have faith in the Autobots? In your human friends?"
"How could I not?"
The predecessor smiles. "As we had faith in you. And as our faith proved justified."
Optimus turns fully toward the other Primes, his posture straightening. "Till all are one."
"Till all are one!" they cheer.
Effects-y pan away from the Primes through clouds and streaks of bright color. Fade to starfield. Pan ends on the surface of a cratered planetoid. Pan across a lava-filled crater, then to tracks on the ground leading out of it. Pan ends on a singed, battered Galvatron walking with a limp. A spaceship enters the frame, and a hatch opens. Wreck-Gar looks out from inside. "Oh Yeah" by Yello begins playing.
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