I'm not sure about that (few parts of TLK's score really stick out to me the way Lockdown's theme and Autobots Reunite do), but Jablonsky's work was consistently one of the things that kept me coming back to watch these.
Blitzwing does do two out of the three modes well; it's the jet mode that's the sad one. I skipped this one in favor of the Legends one (which does the modes a bit better, if not perfectly, AND comes with Big Fight).
I'm going to pick up Overcharge because I'm all about that generation of...
I just want a nice, low key live-action Transformers movie that lets Peter Cullen shine as Dad Optimus Prime while we have him.
Bumblebee felt like a breather and a good chance to recenter, even setting a good tone that future works could emulate. But then we immediately went back to epic scale...
No doubt, but you know how getting a concussion shortly after you'd just gotten one makes the damage considerably worse than it would've been by itself
Ohhh, no you don't. "It can't be any worse than Age of Extinction" is how I wound up watching "The Last Knight". ;)
Although I'm sure this would look amazing, and the toys would be excellent.
Only if it turned into a full-blown crossover, which the Joe brand sadly didn't merit then and doesn't merit now. It's the sort of thing that only works as an Easter egg, because I'd much rather have Cemetery Wind be "the machine of a vengeful government agent who now has an axe to grind" than...
This is one thing I'm not a fan of with shared universes and crossovers; they kind of operate in the opposite direction of worldbuilding because things "need" to overlap.
Transformers movie worldbuilding is a mess despite Barber's very-missed efforts, of course, but I like that KSI exists and...
It was a nice angle that worked for the show. But I did hear that a lot, mostly from people who would then claim they WANTED to like the show but somehow couldn't get past the fact that the central conflict (gasp) had been used elsewhere before. Idk if it's a media literacy issue or just a need...
Yup. Again, counterproductive.
It says a lot that those comics (and Devil's Due and IDW) have been the most consistent available/performing media for the brand since its heyday. Aside from how comics as a genre/commodity is also struggling, that suggests the brand's fortunes are tied to a...
Rather than Blitzwing having large hands as part of the aesthetic angle of his design (like this Hulk does), Blitzwing literally came with them, as in they were utterly extraneous bits one didn't want or need but had to pay for. This on top of Blitzwing himself being, let's face it, a pretty...
I feel that kind of undermines the Transformers themselves, who are supposed to be this super (well, reasonably) advanced race. I can buy into humans being able to keep up, but not the Cybertronians particularly needing their help.
Unless it's to fight another alien threat (a Cybertronian...
I think that minimizes the brand identities way too much just to make the "same coin" description work. By that token GI Joe is also He-Man, also TMNT, and also Silverhawks. Coffee is also "almost" water, except it "just" has extract from ground coffee beans in it.
The "military dudes" and...
GI Joe is one of the more frustrating properties, with perhaps one of the more counterproductive fandoms. Steevy Maximus has summed this up better elsewhere (but I think that may have been pre-Allspark outage).
The property at large was one of those that got sidelined in the late 80s/early 90s...
I just want more offscreen character redecos. But sure, if we have to go the mission redeco route... but give us something more interesting than literally "here's the same thing but in gray", which those NEST redecos no one asked for were.
Yeah, when Hollywood is accused of cash grabs, no one is talking about the key grip or the wardrobe manager. It's a bunch of execs demanding to get Chris Pratt to voice Denver The Last Dinosaur so money machine go brrr.
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