With a strong weekend run (Finishing SEVENTH on last weekend’s domestic charts), Fathom will be extending the release’s theatrical run:
‘Transformers: The Movie’ Extends Theatrical Run as “Apology Tour” Rerelease Surges at Box Office “We’re thrilled,” Fathom’s head of marketing tells The Hollywood Reporter about the 40th anniversary celebration for the 1986 animated cult favorite. By Ryan Gajewski September 23, 2026 7:56pm...
www.fathomentertainment.com
The reissue of Disney/Pixar’s Cars also did strong numbers in the past month. Not quite sure what that says about the state of the theatrical business, the state of modern films, or the state of modern fandom. In its first weekend, the rerelease garnered almost three quarters of what Andrew Garfield’s The Uprising had clawed out after two.
Well I have two modes of thought on that.
The first is that 2026 has been overall a good rebound year for theatres, one of the better years since COVID, and Cars and TFTM are two beloved classic animated flicks (I feel old calling Cars a classic but it is what it is). So I'm not sure re-releases of those say anything but they're two beloved older movies people still wanna pay to go see in a theatrical environment. I'm not sure re-releasing something like 2008's Bolt would do these numbers.
As for The Uprising... look. I love Medieval history, I like Andrew Garfield, but holy hell was that a swing and a miss. There's enough about the 1381 Peasants' Revolt to build a movie around, but trying to tie it into Robin Hood was a huge misstep. Robin Hood as a story takes place two hundred years prior, and revolves around an entirely different social-political dynamic and was, ya know, myth. Robin Hood is a folktale. Wat Tyler's Peasants' Revolt really happened, so on top of mixing up the timeline it just seems disrespectful to fold Tyler into a folk story that he himself was probably aware of, and not even give him the decency to be Robin Hood?
Additionally it follows a very common and inaccurate trend of presenting the Medieval period as constantly greyscale and muddy which... yeah. No. It wasn't that.
Sorry for the rant

but this was a movie I wanted to love and it just... just wasn't very good. I'm pretty sure most general audience sorts aren't medieval history and mythology nerds like I am, but I can't say it bombing shocks me either. It's a movie with a lot of big ideas and Things to Say, it just can't really organize its ideas or get what it wants to say out in a way that's not painfully generic and cringeworthy.