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@  TheMightyMol... : (07 December 2019 - 06:58 PM)

Then repaint Apeface and Snapdragon as Transmetal Optimus Primal and Megatron. It's crazy enough to work.

@  PlutoniumBoss : (07 December 2019 - 05:32 PM)

Moral imperative.

@  Nevermore : (07 December 2019 - 05:13 PM)

Wishful thinking, rumor or leak?

@  Maximus Ambus : (07 December 2019 - 04:48 PM)

Snapdragon for Earthrise.

@  TM2-Megatron : (04 December 2019 - 10:22 PM)

Still not the weirdest thing a Nic Cage character has done in a film

@  TheMightyMol... : (04 December 2019 - 04:00 PM)

Couldn't be worse than him pissing fire as Ghost Rider.

@  Rycochet : (04 December 2019 - 03:38 PM)

The Tim Burton Superman Movie is the DC movie we deserve. It would have Nic Cage in a technosuit punching polarbears.

@  Paladin : (04 December 2019 - 02:59 PM)

Wonder Woman was great. Shazam was amazing. Aquaman... exists.

@  RichardT1977 : (04 December 2019 - 01:54 PM)

TBF, Aquaman and Shazam! were pretty good.

@  TheMightyMol... : (04 December 2019 - 01:00 PM)

Not a difficult feat.

@  Benbot : (04 December 2019 - 11:50 AM)

You just put more effort into telling a compelling story than all of WB's execs.

@  Cybersnark : (04 December 2019 - 11:41 AM)

Cue the flashback to Jonathan, reassuring a terrified child: "What you are is never as important as who you are." Cue Superman's response to Brainiac: "I already know who I am."*John Williams fanfare plays*

@  Cybersnark : (04 December 2019 - 11:38 AM)

I don't think we even really need to see Krypton. I'd start with Clark growing up in Kansas, thinking he's normal, and follow him through the development of his powers. There've been enough alternate takes on Krypton that it could actually work as a mystery; is this the pre-Crisis utopia, the sterile science world, or the relic of a fallen empire? Brainiac was there, and he tempts Clark with the knowledge of what he really is.

@  Otaku : (04 December 2019 - 11:12 AM)

First, a Krypton film, ending with baby Kal-El being found on Earth.  Then Supe's early career film, establishing his values... and if Jonothan Kent needs to die, it happens because of something like a heart attack while Clark is savnig folks on the other side of the world.  After we know Clark minimizes property damage and never kills, have Zod & Company show up and force him to make tough choices.

@  Otaku : (04 December 2019 - 11:07 AM)

Man of Steel seems like someone came up with a Superman trilogy and then the execs said "We've got to catch up to Marvel, make it one film!".  I don't mean that based on the film's actual pacing, but because various story beats make more sense to me if they weren't all squished together.

@  Cybersnark : (03 December 2019 - 07:44 PM)

I've been wanting to write a Superman movie trilogy for years; "Man of Steel" (featuring a Terminator-like Brainiac) was going to be first, with "Last Son of Krypton" (featuring the Eradicator) as the sequel and "Man of Tomorrow" (in which Luthor makes his face-heel turn) as the conclusion. Thanks to Snyder I have to re-arrange my titles.

@  Nevermore : (03 December 2019 - 06:15 PM)

I still wish "Man of Steel" had instead been an adaptation of both the John Byrne miniseries of the same name and the Jeph Loeb/Tim Sale miniseries "Superman For All Seasons".

@  SHIELD Agent 47 : (03 December 2019 - 04:42 PM)

A take I just read: Man of Steel is shot with such a lack of lighting that it is easier to discern what is going on in a porn film.

@  Maximus Ambus : (03 December 2019 - 12:20 PM)

Making Soylant is harder then it looks, it's not like the movies, you have to keep whacking and hacking at the ingredient, it'll scream and fight, maybe bite but eventually it will go down.

@  Paladin : (03 December 2019 - 11:48 AM)

varies from person to person.

@  Benbot : (03 December 2019 - 11:34 AM)

It's an acquired taste

@  CORVUS : (03 December 2019 - 11:17 AM)

Soylent? Its pretty awful.

@  unluckiness : (03 December 2019 - 02:49 AM)

Depends on your denomination of Christianity

@  Patch : (02 December 2019 - 05:52 PM)

@Benbot Do they have a soy-free version? Like maybe just "Lent?"

@  Maximus Ambus : (02 December 2019 - 02:03 PM)

Just occurred to me 'Autobot' Megatron happened in Target 2006.

@  Benbot : (02 December 2019 - 11:48 AM)

have you tried Soylent? It's pretty good! https://soylent.com/

@  Paladin : (02 December 2019 - 10:01 AM)

i prefer free-range human usually. pain in the ass to hunt though...

@  TheMightyMol... : (02 December 2019 - 09:42 AM)

If your human is all bones, you may have purchased a skeleton by accident. Contact your grocer to inquire about exhange policies.

@  Maximus Ambus : (02 December 2019 - 09:31 AM)

Vegans are categorised as human therefore just fall under Soylant, they are usually all bones.

@  wonko the sane? : (01 December 2019 - 04:47 PM)

Cause... that latter one is technically all burgers anyway.

@  wonko the sane? : (01 December 2019 - 04:46 PM)

So... a burger made without meat, or a burger made with the meat taken from a vegan?

@  Maximus Ambus : (01 December 2019 - 04:22 PM)

I had a vegan burger last week, this week I'll give a vegan steak a shot.

@  wonko the sane? : (30 November 2019 - 12:37 PM)

a proper paradox would have broken the board. Nice try though.

@  Maximus Ambus : (30 November 2019 - 01:47 AM)

This shout is empty.

@  Tm_Silverclaw : (30 November 2019 - 12:01 AM)

I've got the admit. tubi tv is great. It's got a lot of stuff.. Including Super Sentai.

@  Steevy Maximus : (29 November 2019 - 10:35 PM)

There is frankly no better place to (legally) find schlock on the internet for free than Tubi TV

@  Steevy Maximus : (29 November 2019 - 10:33 PM)

It's got all the graphic violence and gratuitous nudity a late 80s OVA should have.

@  Steevy Maximus : (29 November 2019 - 10:32 PM)

Available for free with ads on Tubi TV.

@  Steevy Maximus : (29 November 2019 - 10:32 PM)

It's "Goku: Midnight Eye". Originally produced in the late 80s, it apparently wasn't dubbed until the late 90s given Steve Blum was the lead.

@  wonko the sane? : (29 November 2019 - 06:38 PM)

The description makes it sound like some high grade, mid 80's shlock. Which, frankly, is my groove.

@  TheMightyMol... : (29 November 2019 - 12:37 PM)

Was wondering how long it would take someone to ask.

@  wonko the sane? : (29 November 2019 - 09:58 AM)

okay, it's been like two days so far: what anime is this, cause I'm dying to know.

@  Steevy Maximus : (27 November 2019 - 09:23 PM)

You know you're in for a good time when an old anime starts with a crime lord uses roller skates in his cybernetic legs to skate down the side of the building, launches to a dock and into a getaway boat.

@  Pinkcolliebot : (26 November 2019 - 03:55 PM)

Hey Everyone I'm Making The TF Roll Out Short "Gotta Go Fast!"

@  Benbot : (26 November 2019 - 12:52 PM)

That's what I was hoping for. But here I am, at work the following day.

@  wonko the sane? : (26 November 2019 - 12:29 PM)

You say "die in bed" and I'm thinking "why is that a problem?".

@  fourteenwings : (26 November 2019 - 07:06 AM)

If you don't get out of bed ever your muscles will lock in super-uncomfortable ways and you may get blood clots

@  MEDdMI : (25 November 2019 - 08:53 PM)

You did nothing, and so rocks fall down and you die.

@  TheMightyMol... : (25 November 2019 - 08:35 PM)

But that's not you doing something, that's something being done to you.

@  MEDdMI : (25 November 2019 - 08:28 PM)

Unless a meteor crashes down on your bed while you're in it.


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random idea - New Marvel "Silver Age"


19 replies to this topic

#1 Fortress Ironhold

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Posted 22 May 2017 - 11:30 PM

This comes off of what I was saying in another thread about how perhaps it's time for Marvel to do a neo-Silver Age and take things back to basics in a way. 

 

It's just something I mulled over while at work, so it's far from complete. 

 

But here goes. 

 

Basically, the idea for this neo-Silver Age will be the "back to basics" approach. The idea will be to have the stories gradually build up on each other, such that each issue does contribute to something down the road, but if you miss one or two you won't have a hard time catching up. Main flagship characters like Spider-Man and The Avengers will be written with an eye to an "all-ages" audience, while select characters like Deadpool and Wolverine will be done by hand-picked teams selected for their ability to do "mature" without grimdark or 90s!extreme. Politics and social issues will be handled with wisdom, meaning sparingly and in measured doses; for example, a single well-written Luke Cage issue dealing with racism would have more of an impact than a series of slapdash issues. 

 

**

 

Roster Breakdown:

 

1. Avengers (AKA "Avengers Blue"): In this take on things, the Avengers are a secondary arm of SHIELD; they have their autonomy and can act on threats as they feel necessary, but they ultimately report to SHIELD and SHIELD has the right to send them into the field as needs be. Captain America serves as the team leader, and regular members include War Machine, Falcon, Quicksilver, Scarlet Witch, Black Widow, Hulk (for rehabilitation), Winter Soldier (ditto), Giant Man / Hank Pym, Wasp / Janet Van Dyne, Hawkeye, Tygra, and Ms. Marvel / Carol Danvers. 

 

2. "Avengers Red": SHIELD considers them an Avengers reserve element, but for the most part it's Iron Man and a loose coalition of "we help the helpless" heroes & up-and-comers he's trying to tutor. Aside from Iron Man, we have The Defenders, Ant Man / Scott, Yellowjacket, Spider-Man / Peter Parker, Iron Spider, She-Hulk, Iron Heart, Rescue, Squirrel Girl, and Ms. Marvel / (can't remember the current woman's name). Spidey, Iron-Man, and The Defenders would have their own titles, while the rest are together under the main "Avengers Red" title. (Miles Morales would be Spidey's bestie and one of the few people to know his secret; he helps Peter maintain his gear and later comes to be Oracle to Peter's Batman.)

 

3. X-Teams: Rather than keep all of the X-Men in a single location, Professor X has trusted several key leaders - such as Cyclops, Storm, and Colossus - to take charge of different groups of mutants, each team operating out of some sort of private school; X and Beast have the Xavier Institute, Cyclops has a facility near Chicago, Storm has a facility in California, and Colossus is up in Colorado. Each team has its own title. 

 

4. Loose Cannons: These are individuals like Thor, Wolverine, Black Panther, The Punisher, Deadpool, and Dr. Strange who can be game-changers when encouraged (or coerced) into fighting alongside one faction or another, but they have their reasons for being lone wolves. IE, Thor is splitting his time between realms, Wolverine is constantly being bugged by both Alpha Flight and the X-Men, Deadpool is Deadpool, et cetra. Most of these characters would have their own titles, with many of those titles being aimed at "mature" audiences. 

 

5. Guardians: Star-Lord's team will be the Guardians of the Galaxy, while Star Hawk leads the Galactic Guardians. Yandu is with the latter; in this incarnation, he's a Captain Harlock type who leads a crew of penitent space pirates, keeping him a little more in line with the movies. 

 

6. Et cetra: Of course, we'd have Alpha Flight, Excalibur (under Captain Britain), The Fantastic Four, and a few other groups in the background, with whatever characters I couldn't bring to mind filtering in and out as well. A few will have their own titles, while others will be supporting characters for others. 

 

Thoughts?



#2 Maruten

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Posted 23 May 2017 - 02:09 AM

I get the appeal of the "back to basics" approach, but I fear it's exactly the sort of new-reader-friendly thing that's repeatedly proven not to be a great seller. Obviously I'm generalising, but I think the current readership as a whole largely considers done-in-ones and the like to be too simplistic and juvenile. Which is stupid, but I think that's where the industry has taken us and I think a lot of readers would still demand a trade-sized arc with numbered chapters and an endless stream of soapy cliffhangers.

As for your example of addressing complex issues in a single... issue... well, that's tricky. It's hard to do that effectively, and easy to end up with something cheesy and cramped. I think the solution when dealing with social issues like this is probably more about just making sure your book is good, and avoiding both slapdashery and twenty page PSAs that don't have room to do the issue justice. Which obviously isn't necessarily that easy.

I'm not sure that BAU books need a line-wide retooling, there's plenty of good stuff happening there, but it's very, very true that Marvel and DC could sure stand to rethink how they handle their big events. Call me old (I'm old) but I'd love to see a return to events that are confined to the annuals of a handful of books (an Evolutionary War kind of deal, probably not quite as big as Atlantis Attacks - as much as those sexy square-bound Atlantis Attacks annuals are kind of still my idea of the perfect event, because again, I'm old). You don't need to make every crossover a world-shattering spectacular that unfolds in ten different minis AND changes the trade dress of every single title for six months.

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#3 Daith

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Posted 23 May 2017 - 04:38 AM

Wow, talk about rude....

 

But I can't say that something like this is likely to happen on a large scale anytime soon. Sure I can see them testing the waters like they have before in years past but currently that niche is being filled by the Cartoon adaption comics from Marvel. While a reboot isn't out of the question ever, and lord knows with how convoluted Marvel has gotten in recent years people have mostly stuck with the current continuity from the 616 or whatever it is now past Secret Wars (III). Besides we've tried the reboot angle before with Heroes Reborn, the Ultimate Comics and others I'm probably forgetting. It may work for some time but it tends to fizzle out. 

 

I do think that they should make more comics targeted at younger audiences but not at the expense of the current readers. It's not easy to pass off a normal Marvel or DC comic to someone under ten and expect them to comprehend everything in this era. There are just so few comics from the big 2 that are looking to anyone below the pre teen demo. Of course it doesn't help that access to comics has become harder and slightly easier at the same time. Physically it's not easy to find a comic in a normal store these days. Sure Archie still has a presence most of the time in supermarkets, but book stores are becoming few and far between and not every community has a nearby specialty comic shop. Walmart will often have Bundles of comics recently or trades of characters with movie on the way, but normally that's it for the big two. Sure it's easy to go on a device and download them but that isn't always easy for the under 10 crowd either.

 

I could go on a while more but it's late and my  eyes are slowly drooping..


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#4 Cat

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Posted 23 May 2017 - 07:39 AM

Marvel is about to do a back-to-basics relaunch, on the heels of the success of DC's Rebirth line. That means the return of classic characters in recognisable form. It also means a hard tonal shift for the MU after the heavily political Secret Empire. While not quite as far as single issues, it will be a radical shake-up for how arcs are looked at, if Rebirth is used as the model.

So maybe before you try and put forward ways Marvel can 'improve', you take a minute to look at what they're actually doing first? That way you can provide us an informed and useful opinion instead of just mindless fanfic. Your post is largely bereft of content due to your ignorance of Generations/Legacy, leaving us with just your fanfic to discuss. I'm not keen on seriously discussing someone's fanfic, let alone the 240th time you've coached us to.

Edited by Cat, 23 May 2017 - 05:21 PM.


#5 Daith

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Posted 23 May 2017 - 12:32 PM

Truthfully what do we know of Generations other than new version of character meets old versions. And even so I don't believe Marvel is going to scrap everything going on afterwards like rebirth. If anything we'll probably get "all new all different we really mean it this time Marvel" and it will be just another jumping on point while awkwardly returning to old numberings.

Admittedly I get a bit frustrated with FI and his fanfic threads too. But all I see is people jumping on him for trying to see something he wants to see. So far I have no real issue with this one. Frankly he's not wrong in ways. Sure he's putting his own spin on it and how's that anything different than all of us wishing to see things our own way. He just usually thinks and expresses more than most of us. Why we have to act nasty to him about it is baffling me. Not everyone keeps track of what the comics have coming ahead of time. You don't like his stuff move along or politely mention what efforts are happening. I'm getting frustrated with the hostility on here lately and while I'm not always keen on seeing FI insert another fanfic into a ongoing thread, this was his thread and if you don't like what you see you can move on. There's an ignore function here I'm sure you are aware. You have every right to use it.

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#6 Cat

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Posted 23 May 2017 - 06:01 PM

We know quite a bit about the shape of the upcoming MU thanks to things like a Retailers Summit and resulting news, and even just the Legacy oneshot articles told quite a lot: http://nerdist.com/m...america-chavez/

Marvel is bringing back classic characters in recognisable costumes, with a smattering of the new characters who've taken off, in lighter stories, less political for now, with old numbering, and even a return of things like FOOM (it doesn't get much more classic than that). They want the books to be recognisable again, as they put it. You can see how close it is to what FI listed. It's like if a longtime member in TFD started a thread proclaiming their 'Fix For Hasbro The Transformers Toys', and it turned out to be 4 paragraphs culminating in the brand-saving idea from God of Transformers whose heads were also miniature Transformers. Taadaa! How brilliant, right? No, that's on the hugging shelves right now. Well, same thing here. Criticism requires at least a cursory knowledge of that which you criticise.

As for frustration and fanfic, sorry but you're projecting. My comment was stated without prejudice, and was simply pointing out that seeing his post was now devoid of other content, it was just left with the fanfic, and because of him knowing that fanfic is not allowed on these boards, he is someone who finds excuses to post it under various poorly veiled guises as often as possible. That's just a fact. I choose not to engage on it, as I have no desire to discuss anyone's fanfic. No frustration, just a statement of fact.

#7 Spectre

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Posted 23 May 2017 - 07:02 PM

 

Politics and social issues will be handled with wisdom, meaning sparingly and in measured doses; for example, a single well-written Luke Cage issue dealing with racism would have more of an impact than a series of slapdash issues.

 

I don't even know where to start with this



#8 Maruten

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Posted 23 May 2017 - 07:11 PM

A return to original numbering?! 

 

That fixes like 80% of my complaints about the industry today. That is so great. I get that everyone wants to stop new readers being intimidated by high numbers, but I think that's less of a roadblock to new readers than the endless confusion caused by the fact that every single book is rebooted at least once every eighteen months and you never know which volume you're looking at. Remember when you used to be able to put a new writer on a book without relaunching a new #1? 

 

And you lose so much history. As a kid I found those high numbers exciting. You know a lot's been going on and dipping into that deep, storied universe was such a thrill. 


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#9 Johnny Here

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Posted 24 May 2017 - 03:21 PM

I wish they weren't returning to the original numbers.

But it reflects the unfortunate reality of comics (in my eyes) of trying something new and then returning to the status quo and then doing the cycle all over again.

Unless your name is Bendis or Snyder super long comic runs arent a thing any more, si whats the point?

Just because it feels good to you that its ties into your past? Thats the problem with comics in a nutshell.

I really wish comics were more like the manga industry and stories had a finite ending but thats never going to happen, especiallt with the movie blow up.

I was reading new issues of the teen titans and for a comic thats supposed to about new super heroes, I for ONCE wish they would stop bringing in old members who should be grown and retreading trigon and Deathstroke.

I know, it seems like I fell out of love with comics but i think Secret Empire is the best event Marvel had had in a while.

#10 Maruten

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Posted 24 May 2017 - 04:48 PM

I don't think the manga industry in general is a great example of finite stories. There are certainly interesting comparisons to be made -- most manga series are the creation of one artist or team whereas the vast majority of Big Two comics are work for hire gigs with huge creative turnover, so apart from anything else the business models are largely apples and oranges. A manga series driven by one or two creators (albeit with editorial oversight and reporting to the magazine it runs in, etc) is just nothing like Marvel/DC where any given creative team is a short-term handler for characters they don't own and where you have six layers of editorial and management staff leaning on you all the time and policing your decisions because they have a shared universe to run. 

 

But you look at popular manga... you have stuff like One Piece, Naruto, Bleach that run for fifteen years or more -- is a decade and a half of serialisation really "finite"? One Piece has been running for two decades and is still going. Or you have stuff like Hunter X Hunter which runs for almost twenty years, though sporadically later in its life, and may never be finished. In any case, I suspect it's probably fair to say that most manga series, like most US comics, run until the audience atrophies or the creators lose interest. Or, because again most manga won't change hands the way US books change creative teams, the creator gets old or sick or dead and the series ends mid-arc.

 

As for the numbering, even as an adult it's sometimes hard to be confident which volume you're looking at if you're trying to track down back issues or fill a gap. That's a huge challenge for kids. 


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#11 Johnny Here

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Posted 24 May 2017 - 05:19 PM

I don't think the manga industry in general is a great example of finite stories. There are certainly interesting comparisons to be made -- most manga series are the creation of one artist or team whereas the vast majority of Big Two comics are work for hire gigs with huge creative turnover, so apart from anything else the business models are largely apples and oranges. A manga series driven by one or two creators (albeit with editorial oversight and reporting to the magazine it runs in, etc) is just nothing like Marvel/DC where any given creative team is a short-term handler for characters they don't own and where you have six layers of editorial and management staff leaning on you all the time and policing your decisions because they have a shared universe to run. 
 
But you look at popular manga... you have stuff like One Piece, Naruto, Bleach that run for fifteen years or more -- is a decade and a half of serialisation really "finite"? One Piece has been running for two decades and is still going. Or you have stuff like Hunter X Hunter which runs for almost twenty years, though sporadically later in its life, and may never be finished. In any case, I suspect it's probably fair to say that most manga series, like most US comics, run until the audience atrophies or the creators lose interest. Or, because again most manga won't change hands the way US books change creative teams, the creator gets old or sick or dead and the series ends mid-arc.
 
As for the numbering, even as an adult it's sometimes hard to be confident which volume you're looking at if you're trying to track down back issues or fill a gap. That's a huge challenge for kids. 


The runs are so short now and the status quos for the books are changing so quickly that its almost like youre reading a different book anyway.

And with manga is that most, or just the few series that get that big? Im seriously asking.

#12 Maruten

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Posted 24 May 2017 - 05:28 PM

I think it's very common, but I don't know exactly how it would break down. Inevitably shorter series would be in the majority, but for a whole range of reasons. 


Edited by Maruten, 24 May 2017 - 05:28 PM.

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#13 Cat

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Posted 24 May 2017 - 06:53 PM

Unless your name is Bendis or Snyder super long comic runs arent a thing any more, si whats the point?
Just because it feels good to you that its ties into your past? Thats the problem with comics in a nutshell.


Super-long runs have always been the exception in American comics. Always. From the Golden Age to the present, it's always been something of a rarity. People tend to think it was more common in certain eras than it really was, for various reasons, but it's always been a bit of a rarity. I think the 80's did give us a few more examples, but even then, I don't know if it's as statistically significant as people tend to make out. It's probably close to proportionate considering the explosion in the number of titles being published each month, and the publisher on every corner.

#14 2019

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Posted 24 May 2017 - 07:09 PM

 

I don't think the manga industry in general is a great example of finite stories. There are certainly interesting comparisons to be made -- most manga series are the creation of one artist or team whereas the vast majority of Big Two comics are work for hire gigs with huge creative turnover, so apart from anything else the business models are largely apples and oranges. A manga series driven by one or two creators (albeit with editorial oversight and reporting to the magazine it runs in, etc) is just nothing like Marvel/DC where any given creative team is a short-term handler for characters they don't own and where you have six layers of editorial and management staff leaning on you all the time and policing your decisions because they have a shared universe to run. 
 
But you look at popular manga... you have stuff like One Piece, Naruto, Bleach that run for fifteen years or more -- is a decade and a half of serialisation really "finite"? One Piece has been running for two decades and is still going. Or you have stuff like Hunter X Hunter which runs for almost twenty years, though sporadically later in its life, and may never be finished. In any case, I suspect it's probably fair to say that most manga series, like most US comics, run until the audience atrophies or the creators lose interest. Or, because again most manga won't change hands the way US books change creative teams, the creator gets old or sick or dead and the series ends mid-arc.
 
As for the numbering, even as an adult it's sometimes hard to be confident which volume you're looking at if you're trying to track down back issues or fill a gap. That's a huge challenge for kids. 


The runs are so short now and the status quos for the books are changing so quickly that its almost like youre reading a different book anyway.

And with manga is that most, or just the few series that get that big? Im seriously asking.

 

 

A minority of series get that long, but it depends on genre, length and content. Action and adventure stuff on average lasts the shortest, so you have series that barely make it to 20 chapters before cancellation alongside really long, popular epics. Comedy and romance are kind of the same bag. Of course, even popular series tend to end in the early hundreds because of author fatigue, Super-long stuff like One Piece is the exception not the rule.


PM me if you're bored!


#15 Fortress Ironhold

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Posted 25 May 2017 - 12:13 AM

Politics and social issues will be handled with wisdom, meaning sparingly and in measured doses; for example, a single well-written Luke Cage issue dealing with racism would have more of an impact than a series of slapdash issues.

 
I don't even know where to start with this


It got a discussion going, didn't it?

#16 NotVeryKnightly

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Posted 25 May 2017 - 01:11 AM

Saying "one well-written issue is better than multiple slapdash ones" with no defining criteria is super unhelpful, and it makes me wonder if you even know what either means, or if you assume that a single issue story will certainly be well-written and can't possibly end up slapdash.

That, and suggesting they try to resolve a subject within single issue stories sounds like a horrendously oversimplified view of social issues.

Edited by NotVeryKnightly, 25 May 2017 - 01:21 AM.


#17 Spark

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Posted 25 May 2017 - 12:26 PM

That, and suggesting they try to resolve a subject within single issue stories sounds like a horrendously oversimplified view of social issues.

That in context of Luke Cage is more than likely what Spectre's talking about here.  Racism would be an issue constantly boiling in the background of a ex-gang member superhero that came from Harlem having to work with the likes of ultra rich white dude Tony Stark and universally beloved (current totally-not-a-Nazi) white dude Steve Rogers, not "THIS ISSUE!  RACISM ENDS!"


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Fall of Cybertron will blow your mind. That is all.

#18 Johnny Here

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Posted 25 May 2017 - 02:08 PM

That, and suggesting they try to resolve a subject within single issue stories sounds like a horrendously oversimplified view of social issues.

That in context of Luke Cage is more than likely what Spectre's talking about here.  Racism would be an issue constantly boiling in the background of a ex-gang member superhero that came from Harlem having to work with the likes of ultra rich white dude Tony Stark and universally beloved (current totally-not-a-Nazi) white dude Steve Rogers, not "THIS ISSUE!  RACISM ENDS!"

I mean, people who are going to get offended arent going to read Luke Cage anyway. Or any other books starring a black lead, which is why we dont have them.

#19 Cat

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Posted 26 May 2017 - 03:52 PM

That, and suggesting they try to resolve a subject within single issue stories sounds like a horrendously oversimplified view of social issues.

That in context of Luke Cage is more than likely what Spectre's talking about here.  Racism would be an issue constantly boiling in the background of a ex-gang member superhero that came from Harlem having to work with the likes of ultra rich white dude Tony Stark and universally beloved (current totally-not-a-Nazi) white dude Steve Rogers, not "THIS ISSUE!  RACISM ENDS!"

I mean, people who are going to get offended arent going to read Luke Cage anyway. Or any other books starring a black lead, which is why we dont have them.

... Wow. BRB, attempting to contact an alien civilisation in a search for appropriate words...

Edited by Cat, 26 May 2017 - 03:55 PM.


#20 Spectre

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Posted 06 June 2017 - 11:54 AM

 

That, and suggesting they try to resolve a subject within single issue stories sounds like a horrendously oversimplified view of social issues.

That in context of Luke Cage is more than likely what Spectre's talking about here.  Racism would be an issue constantly boiling in the background of a ex-gang member superhero that came from Harlem having to work with the likes of ultra rich white dude Tony Stark and universally beloved (current totally-not-a-Nazi) white dude Steve Rogers, not "THIS ISSUE!  RACISM ENDS!"

 

 

 

This, but so much more. 

 

I get so hugging tired of this idea that "social issues and politics" aren't entrenched in every moment of our lives. Racism isn't a "social issue" that gets brought up in measured doses. Were Luke Cage a real person, he would deal with racism constantly. In every moment of his life. It is a foundational element to the character's existence and the world he inhabits. 

 

As a white boy from Texas, you don't get to decide when it's appropriate to talk about racism and when it should be swept under the rug to avoid offending your privileged sensibilities. Among so many media fandoms, there's this pervasive idea that stories that reflect ourselves should be absent the things that drive us and shape our world. It's often pushed by bigots who see anything that challenges their way of life to be "political" -- a position afforded only to the privileged who believe their lifestyle to be "normal" and that all others are abnormal, or indeed immoral.  

 

It is an idea that is as childish as it is ridiculous. 


Edited by Spectre, 06 June 2017 - 01:45 PM.




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